Kullsvart April.
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Ihsahn og Gorgoroth hvis økonomien tillater det.
Ser selvfølgelig frem til Satyricon skiva også
Ser selvfølgelig frem til Satyricon skiva også
Jeg regner med at samtlige plater i denne pollen kommer til aa vaere skitelendig, men det er vel fare for at jeg kommer til aa kjoepe Gorgoroth-platen for arkivering.
Ellers har jeg mest troen paa:
Cretin - Freakery
www.cretanic.com
Ellers har jeg mest troen paa:
Cretin - Freakery
www.cretanic.com
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Ihsahn stiller de andre i skyggen for min del. Satyricon kan kanskje bli litt kult. Carpathian Forest har jeg ikke fått hørt så mye av, " Journey through the cold moors of Svarttjern" var knallfet, mens noe litt nyere materiale hørtes ikke så interessant ut. Regner derfor med at den ikke er mye å se fram til for min del.
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Kjem med tida til å sjekka ut alt, er vell ingen av banda eg gleda meg veldig til. Håpa på at CF plata blir bra, men er redd det blit for masse idioti fra frontmann nattefrost sin side. Blir det for masse dansete rock`n thrashen roll blir eg kvalm.
E du med oss i dag, byrja tanken bli klar?
Litt gode nyhende for Celtic Frost-fans?
http://www.roadrunnerrecords.com/blabbe ... emID=49387
Timo Isoaho has filed the following report:
There's a sign outside the old church in Berlin saying "Today: CELTIC FROST listening session." I would call that dark humor, no question about that.
Inside the God's temple, there's whole bunch of European metal journalists waiting to hear the long-awaited new effort by CELTIC FROST. Most of the journalists look excited; it's clear that this isn't "typical" listening session at all. No, it's the new and long-awaited album by Switzerland's finest. I am excited, too, as CELTIC FROST has been one of my favorite groups since the mid-Eighties. Everybody knows that the band evolved from HELLHAMMER's grim black metal to CELTIC FROST's avantgardism ("Into the Pandemonium") and later even hard/glam rock ("Cold Lake"). So, after all these years, what should I expect from the new album "Monotheist"? Well, I have heard the demo track "Ground" but otherwise, I have no clue.
Some minutes later, CELTIC FROST's Tom Gabriel Fischer and Martin Eric Ain enter this devoted place of God. With the dark make-up around his eyes, Tom looks calm and mysterious. He decides to stay in the shadows by the side when bearded Martin rises on the shrine and start talking. The next few minutes, he tells us about the process of making the new album and lyrical concept (there's a fascination with death, for sure!). Suddenly, the bass player is gone and the first track "Progeny" starts pounding from the PA after we have been given hymn-book (with CELTIC FROST's new lyrics on the pages of it). Over hour later, the album expires with "Winter (Requiem, Chapter Three: Finale)".
Well, it's difficult to describe exhaustively, but some things... The sound of the album is absolutely massive but at the same time, very raw. Most black metal bands can only dream of getting a sound like this. Guitars and bass are extremely, and I truly mean exteremely, heavy. Now and then during the album you are able to hear some fateful gothic influences and moody female vocalists and even legendary "UHH!" screams too. Most of the tracks are really slow, menacing doom metal. Or in this case, maybe term "doomed metal" describes the sound even better. However, there's some really fast parts too. And the riffs are just punishing, Tom's vocals vary from magnificent death metal grunts to something utterly beautiful, and the whole atmosphere just takes the listener into the pure darkness. And it's a haunting feeling! This is as close as you can get total death in musical terms...
Some newer bands that could be mentioned in the same sentence as new CELTIC FROST might be TYPE O NEGATIVE (when they are at their heaviest and most atmospheric), MY DYING BRIDE and even NEUROSIS plus SUNNO))). And maybe a group like FIELDS OF THE NEPHILIM too. None of those are not like this, not even close, but there's slight similarities here and there.
One thing is for certain: the album is not similar to anything this band has released earlier. As Martin tells me later, "We don't want to look back. When we were creating this album, we didn't listen to the old albums and think like, 'Hey, there's cool riff in 'Procreation (Of The Wicked)', let's use that" or 'Circle Of The Tyrants' is great, let's write another track like that.' No way. This is new CELTIC FROST."
Later that afternoon, it's great to notice that Tom is really satisfied with the new album. Of course, bands are always satisfied with their latest release (or at least they pretend to be) but it's easy to sense that there's no bullshit going on this time. No, he is seriously proud of Monotheist". But he already has new plans.
"It's my goal to make the next record even heavier and gloomier," he points out.
"If that's possible..." is my reply.
"Yes it is," he says assuredly.
What about live shows? What tracks are we going to hear?
"Of course, some new tracks and then older ones from 'Morbid Tales', 'To Mega Therion' and 'Into The Pandemonium'," Tom reveals. "We don't play anything from 'Cold Lake' or 'Vanity/Nemesis' as they are not 'real' CELTIC FROST albums. And maybe it's time to play 'Triumph Of Death' by HELLHAMMER. We will see."
http://www.roadrunnerrecords.com/blabbe ... emID=49387
Timo Isoaho has filed the following report:
There's a sign outside the old church in Berlin saying "Today: CELTIC FROST listening session." I would call that dark humor, no question about that.
Inside the God's temple, there's whole bunch of European metal journalists waiting to hear the long-awaited new effort by CELTIC FROST. Most of the journalists look excited; it's clear that this isn't "typical" listening session at all. No, it's the new and long-awaited album by Switzerland's finest. I am excited, too, as CELTIC FROST has been one of my favorite groups since the mid-Eighties. Everybody knows that the band evolved from HELLHAMMER's grim black metal to CELTIC FROST's avantgardism ("Into the Pandemonium") and later even hard/glam rock ("Cold Lake"). So, after all these years, what should I expect from the new album "Monotheist"? Well, I have heard the demo track "Ground" but otherwise, I have no clue.
Some minutes later, CELTIC FROST's Tom Gabriel Fischer and Martin Eric Ain enter this devoted place of God. With the dark make-up around his eyes, Tom looks calm and mysterious. He decides to stay in the shadows by the side when bearded Martin rises on the shrine and start talking. The next few minutes, he tells us about the process of making the new album and lyrical concept (there's a fascination with death, for sure!). Suddenly, the bass player is gone and the first track "Progeny" starts pounding from the PA after we have been given hymn-book (with CELTIC FROST's new lyrics on the pages of it). Over hour later, the album expires with "Winter (Requiem, Chapter Three: Finale)".
Well, it's difficult to describe exhaustively, but some things... The sound of the album is absolutely massive but at the same time, very raw. Most black metal bands can only dream of getting a sound like this. Guitars and bass are extremely, and I truly mean exteremely, heavy. Now and then during the album you are able to hear some fateful gothic influences and moody female vocalists and even legendary "UHH!" screams too. Most of the tracks are really slow, menacing doom metal. Or in this case, maybe term "doomed metal" describes the sound even better. However, there's some really fast parts too. And the riffs are just punishing, Tom's vocals vary from magnificent death metal grunts to something utterly beautiful, and the whole atmosphere just takes the listener into the pure darkness. And it's a haunting feeling! This is as close as you can get total death in musical terms...
Some newer bands that could be mentioned in the same sentence as new CELTIC FROST might be TYPE O NEGATIVE (when they are at their heaviest and most atmospheric), MY DYING BRIDE and even NEUROSIS plus SUNNO))). And maybe a group like FIELDS OF THE NEPHILIM too. None of those are not like this, not even close, but there's slight similarities here and there.
One thing is for certain: the album is not similar to anything this band has released earlier. As Martin tells me later, "We don't want to look back. When we were creating this album, we didn't listen to the old albums and think like, 'Hey, there's cool riff in 'Procreation (Of The Wicked)', let's use that" or 'Circle Of The Tyrants' is great, let's write another track like that.' No way. This is new CELTIC FROST."
Later that afternoon, it's great to notice that Tom is really satisfied with the new album. Of course, bands are always satisfied with their latest release (or at least they pretend to be) but it's easy to sense that there's no bullshit going on this time. No, he is seriously proud of Monotheist". But he already has new plans.
"It's my goal to make the next record even heavier and gloomier," he points out.
"If that's possible..." is my reply.
"Yes it is," he says assuredly.
What about live shows? What tracks are we going to hear?
"Of course, some new tracks and then older ones from 'Morbid Tales', 'To Mega Therion' and 'Into The Pandemonium'," Tom reveals. "We don't play anything from 'Cold Lake' or 'Vanity/Nemesis' as they are not 'real' CELTIC FROST albums. And maybe it's time to play 'Triumph Of Death' by HELLHAMMER. We will see."
For eit liv
Laraque27 wrote:Litt gode nyhende for Celtic Frost-fans?
Vi hoerte lignende lovord om Metallicas "St. Anger" foer den ble sluppet, saa det der betyr ingenting.
fukkwitt wrote:bananeple wrote:Noen som har noen anelser om hvordan Gorgoroth-skiva vil bli?
33 minutter med gjentagelser av ordet "s***n" i alle tenkelige former, masse slitsom skriking, riff som du har glemt allerede mens de spilles og 40 % av materialet vil være usammenhengengende synth-pastisjer inkludert for å fylle opp nok spilletid til å kunne kalle det et album.
Blir sikkert storveis!
Hohohoh! Tommel'n opp og ti stjerner i margen for den plateanmeldelsen.
On topic: Jeg skal gjøre som Marduk og heller satse på Keep of Kalessin-plata, tror jeg. Spesielt siden den nye vokalisten gruser Atilla, som Marduk også har antydet lenger opp.